I see, you
2019
Gallery wall, studio wall, mirrored card, laptop, single channel video (infinite loop).
I see, you is an investigation into precarious art practices, which are practices characterised by their ability to almost slip by undetected, to almost disappear into the everyday. A hole in a wall is almost invisible as an artwork (in its glory); it is an absence,made from nothing. As you look though this hole, a looped video of my eye is staring back at you. I see, you is a site responsive work as it considers the relationships between the artwork, the art gallery, the artist’s studio and the audience. Through an unlikely meeting between Laura Mulvrey and Friedrich Nietzsche, I see, you could be a kind of anti-sculpture with a feminist agenda; asking, who is really looking at whom?